: Alsiadi

There's a Syrian-born oud player named Mohamed Alsiadi with a nice website listing *Arabic* maqamat with *Turkish* 53-EDO commas. It's great.

Rast is probably the most important scale in middle eastern music, and Alsiadi gives us a version of Rast very similar to Turkish, but the middle third and middle seventh are flattened by an additional comma each relative to the Turkish version, which gets us closer to 24-TET neutral tones. The Turkish Rast makam is not so far from a major scale if you're tone deaf, but Alsiadi's version definitely deviates from major in a way that any western ear will notice.

I've transcribed the descending maqamat as though they were ascending for easier comparison with ascending forms. I kind of regret it, but the fact is at least indicated as "(descending)" in the name.