: Alsiadi's 53-EDO Arabic Maqamat
Maqam Rast (ascending): [C, D, E-, F, G, A, B-, C] : [9, 7, 6, 9, 9, 7, 6]. # Rast tetrachord + 9/8 + Rast tetrachord.
Maqam Rast (descending with Nahawand ending): [C, D, E-, F, G, A, Bb, C]. : [9, 7, 6, 9, 9, 4, 9]. # Rast tetrachord (9, 7, 6) + 9/8 + Nahawand tetrachord (9, 4, 9).
Maqam Basandida (ascending): [C, D, Eb, F#, G, A, Bb, C] : [9, 4, 14, 4, 9, 4, 9] # Nakriz or Nawa Athar pentachord + Busalik tetrachord
Maqam Basandida (descending): [C, D, E-, F, G, A, B-, C] : [9, 7, 6, 9, 9, 7, 6] # Rast tetrachord + 9/8 + Rast tetrachord. These are the same pitch classes that Rast uses to ascend.
Maqam Dalansheen (ascending): [C, D, E-, F, G, A, B-, C, Db, E, F] : [9, 7, 6, 9, 9, 7, 6, 4, 14, 4]. # Compound maqam. It's like Rast with an ornamentation on top that derives from an overlap with Saba (starting on the A).
Maqam Dalansheen (descending): [C, D, E-, F, G, A, Bb, C, D, E-, F] : [9, 7, 6, 9, 9, 4, 9, 9, 7, 6].
Mahur (ascending): [C, D, E, F, G, A, B, C] : [9, 9, 4, 9, 9, 9, 4].
Mahur (descending): [C, D, E-, F, G, A, Bb, C] : [9, 7, 6, 9, 9, 4, 9].
Maqam Nishaburk (ascending): [D, E, F+, G, A, B-, C, D] : [9, 7, 6, 9, 6, 7, 9].
Maqam Nishaburk (descending): [D, E, F+, G, A, Bb, C, D] : [9, 7, 6, 9, 4, 9, 9].
Maqam Suzdilara ascending (Jaharka ending): [C, D, E, F, G, A, Bb, C] : [9, 9, 4, 9, 9, 4, 9].
Maqam Suzdilara ascending (Bayati ending): [C, D, E, F, G, A B-, C] : [9, 9, 4, 9, 9, 6, 7].
Maqam Suzdilara descending: [C, D, E-, F, G, A, Bb, C] : [9, 7, 6, 9, 9, 4, 9] # The scale has Bb written, but then there are accidentals after the scale in the style of a key signature which has a half flat on the B line. So maybe you can do Bb or B- descending? But the notated jins above the scale says Jaharkah, which wouldn't gvie a microtone. Whatever. These scales are all the same. This is just Rast descending with the Nahawand ending.
Maqam Suznak ascending: [C, D, E-, F, G, A-, B, C] : [9, 7, 6, 9, 5, 13, 4].
Maqam Suznak descending: [C, D, E-, F, G, A, Bb, C] : [9, 7, 6, 9, 9, 4, 9] # Still just Rast descending with Nahawand ending.
Maqam Yakah: [G, A, B-, C, D, E-, F, G] : [9, 7, 6, 9, 6, 7, 9].
Maqam Nahawand (ascending): [C, D, Eb, F, G, Ab, Bb, C] : [9, 4, 9, 9, 4, 9, 9].
Maqam Nahawand (descending): [C, D, Eb, F, G, Ab, B, C] : [9, 4, 9, 9, 4, 14, 4] # this is the Hijaz ending for Nahawand per MaqamWorld
Maqam Al-Sinbulah (ascending) / Nahawand Murassah (ascending): [C, D, Eb, F, Gb, A, Bb, C] : [9, 4, 9, 4, 14, 4, 9]
Maqam Al-Sinbulah (descending) / Nahawand Murassah (descending): [C, D, Eb, F, G, Ab, B, C] : [9, 4, 9, 9, 4, 14, 4]
Maqam Farah Fazah (ascending): [G, A, Bb, C, D, Eb, F, G] : [9, 4, 9, 9, 4, 9, 9].
Maqam Farah Fazah (descending): [G, A, Bb, C, D, Eb, F#, G] : [9, 4, 9, 9, 4, 14, 4].
Maqam Hisar: [D, E-, F, G#, A, Bb, C#, D] : [6, 7, 14, 4, 4, 14, 4].
Maqam Nahawand Kabir (ascending): [C, D, Eb, F, G, Ab, B, C] : [9, 4, 9, 9, 4, 14, 4].
Maqam Nahawand Kabir (descending): [C, D, Eb, F, G, A, Bb, C] : [9, 4, 9, 9, 9, 4, 9].
Maqam Nakriz (ascending): [C, D, Eb, F#, G, A, Bb, C] : [9, 4, 14, 4, 9, 4, 9].
Maqam Nakriz (descending): [C, D, Eb, F#, G, A, B-, C] : [9, 4, 14, 4, 9, 7, 6].
Maqam Nawa Athar (ascending): [C, D, Eb, F#, G, Ab, B, C] : [9, 4, 14, 4, 4, 14, 4].
Maqam Nawa Athar (descending): [C, D, Eb, F#, G, Ab, Bb, C] : [9, 4, 14, 4, 4, 9, 9].
Maqam Sultani Yakah: [G, A, Bb, C, D, Eb, F#, G] : [9, 4, 9, 9, 4, 14, 4].
Maqam Hijaz Kar Kurd: [C, Db, Eb, F, G, Ab, Bb, C] : [4, 9, 9, 9, 4, 9, 9].
Maqam Ajam Kurdi: (page under construction)
Maqam Shawq Tarab (ascending): [A, Bb, C, D, E-, F, Gb, A] : [4, 9, 9, 6, 7, 4, 14].
Maqam Shawq Tarab (descending): [A, Bb, C, D, Eb, F, G, A] : [4, 9, 9, 4, 9, 9, 9].
Maqam Kurdi: [D, Eb, F, G, A, Bb, C, D] : [4, 9, 9, 9, 4, 9, 9].
Maqam Tarz Nawayn: [C, Db, Eb, F, Gb, A, Bb, C] : [4, 9, 9, 4, 14, 4, 9].
Maqam Hijaz (ascending): [D, E-, F#, G, A, B-, C, D] : [5, 13, 4, 9, 7, 6, 9] # Hijaz tetrachord + Rast pentachord
Maqam Hijaz (descending): [D, E-, F#, G, A, Bb, C#, D] : [5, 13, 4, 9, 4, 14, 4] # Hijaz tetrachord + 9/8 + Hijaz tetrachord
Maqam Hijaz Kar (ascending): [C, Db, E, F, G, Ab, B, C] : [4, 14, 4, 9, 4, 14, 4] # Hijaz tetrachord + 9/8 + Hijaz tetrachord
Maqam Hijaz Kar (descending): [C, Db, E, F, G, Ab, Bb, C] : [4, 14, 4, 9, 4, 9, 9] # Hijaz tetrachord + 9/8 + Kurd tetrachord. Alsiadi has "Busalik tetrachord + 9/8 + Kurd tetrachord" notated in text, but the commas and pitch classes don't support that.
Maqam Shad Araban (ascending): [G, A-, B, C, D, Eb, F#, G] : [5, 13, 4, 9, 4, 14, 4] # Hijaz tetrachord + Nakriz pentachord. This one is a little weird. The pitch classes suggest a Nakriz pentachord [9, 4, 14, 4], but the commas written in originally by Alsiadi were [9, 7, 6, 9] for the pentachord, which is Rast pentachord. Since the pitch classes and the pentachord label match each other, and the commas don't have any corroboration, I changed the commas for consistency. My version with the changed commas has the same intervals as Maqam Hijaz, but here rooted on G instead of D. I've read on Oud For Guitarists that "maqams Hijaz kar, Shad Araban, Suzidil, and Shahnaz" have the same intervals, so that's encouraging. Alsiadi seems to agree that all of these are mad of Hijaz tetrachord + 9/8 + Hijaz tetrachord (or equivalently Hijaz tetrachord + Nakriz pentachord), but they're not all the same for him since he uses two different Hijaz tetrachords in different places, which I believe is intentional on his part.
Maqam Shad Araban (descending): [G, A-, B, C, D, Eb, F, G] : [5, 13, 4, 9, 4, 9, 9] # Hijaz tetrachord + Nahawand pentachord
Maqam Shahnaz: [D, Eb, F#, G, A, Bb, C#, D] : [4, 14, 4, 9, 4, 14, 4] # Hijaz tetrachord + 9/8 + Hijaz tetrachord
Maqam Suzdal: [A, Bb, C#, D, E, F, G#, A] : [4, 14, 4, 9, 4, 14, 4] # Hijaz tetrachord + Nakriz pentachord
Maqam Zinkulah: [C, Db, E, F, G, A, Bb, C] : [4, 14, 4, 9, 9, 4, 9] # Hijaz tetrachord + Ajam pentachord
Maqam Bayati ascending: [D, E-, F, G, A, B-, C, D] : [6, 7, 9, 9, 6, 7, 9] # Bayati tetrachord + 9/8 + Bayati tetrachord
Maqam Bayati descending: [D, E-, F, G, A, Bb, C, D] : [6, 7, 9, 9, 4, 9, 9] # Bayati tetrachord + 9/8 + Kurd tetrachord
Maqam Qarjighar (Bayati Shuri) (ascending): [D, E-, F, G, Ab, B, C, D] : [6, 7, 9, 4, 14, 4, 9] # Bayati tetrachord + hijaz pentachord
Maqam Qarjighar (Bayati Shuri) (descending): [D, E-, F, G, A, Bb, C, D] : [6, 7, 9, 9, 4, 9, 9] # Bayati tetrachord + busalik pentachord
Maqam Husayni (ascending): [D, E-, F, G, A, B-, C, D] : [6, 7, 9, 9, 6, 7, 9] # Bayati pentachord + Bayati tetrachord
Maqam Husayni (descending): [D, E-, F, G, A, Bb, C, D] : [6, 7, 9, 9, 4, 9, 9] # Bayati pentachord + Kurd tetrachord
Maqam Bayati Ushayran (ascending): [A, B-, C, D, E-, F, G, A] : [6, 7, 9, 6, 7, 9, 9] # Bayati tetrachord + Bayati pentachord
Maqam Bayati Ushayran (descending): [A, B-, C, D, E, F, G, A] : [6, 7, 9, 9, 4, 9, 9] # Bayati tetrachord + Busalik pentachord
Maqam Husayni Ushayran (ascending): [A, B-, C, D, E-, F, G, A] : [6, 7, 9, 6, 7, 9, 9] # Bayati tetrachord + Bayati pentachord
Maqam Husayni Ushayran (descending): [A, B-, C, D, Eb, F#, G, A] : [6, 7, 9, 4, 14, 4, 9] # Bayati tetrachord overlapping with Nakriz hexachord
Maqam Saba (ascending): [D, E-, F, Gb, A, Bb, C, Db] : [6, 7, 4, 14, 4, 9, 4] # Alsiadi describes this as having a Bayati trichord on "Re", a Hijaz tetrachord starting on "Fa", and a Hijaz trichord starting on the high "Do". As notated, the "Re" is the low "D" note though, as though C is the tonic of the scale. Also there is no third note written above the Db to complete the Hijaz trichord: there's just blank space. I don't know what a Hijaz trichord is in order to infer the pitch above "Db" or the simge-comma-integer after "4". Perhaps 14?
Maqam Saba (descending): [D, E-, F, Gb, A, Bb, C, D] : [6, 7, 4, 14, 4, 9, 9] # Bayati trichord + Hijaz tetrachord + Ajam trichord.
Maqam Saba Zamzamah: [D, Eb, F, Gb, A, Bb, C, D] : [4, 9, 4, 14, 4, 9, 9] # Kurd trichord + Hijaz tetrachord + Ajam trichord
Maqam Sikah (ascending): [E-, F, G, A, B-, C, D, E-] : [6, 9, 9, 7, 6, 9, 7] # Sikah trichord + Rast tetrachord + Rast trichord
Maqam Sikah (descending): [E-, F, G, A, Bb, C, D, E-] : [6, 9, 9, 4, 9, 9, 7] # Sikah trichord + Nahawand tetrachord + Rast trichord. Alsiadi's comments make it seem like he thinks the tonic is C rather than E-. That's fine. He can think what he likes.
Maqam Huzam: [E-, F, G, Ab, B, C, D, E-] : [6, 9, 4, 14, 4, 9, 7] # Sikah trichord + Hijaz tetrachord + Rast trichord.
Maqam Mayah: [E-, F, G, A, Bb, C, D, E-] : [6, 9, 9, 4, 9, 9, 7] # Sikah trichord + Nahawand tetrachord + Rast trichord
Maqam Musta'ar: [E-, F#, G, A, Bb, C, D, E-] : [11, 4, 9, 4, 9, 9, 7] # Musta'ar trichord + Nahawand tetrachord + Rast trichord
Maqam Jaharkah: [F, G, A, Bb, C, D, E-, F] : [9, 9, 4, 9, 9, 7, 6] # Jaharkah tetrachord + whole tone + Rast tetrachord
Maqam Ajam Ushayran: [Bb, C, D, Eb, F, G, A, Bb] : [9, 9, 4, 9, 9, 9, 4] # Ajam tetrachord + whole tone + Ajam tetrachord
Maqam Shawq Afza (ascending): [Bb, C, D, E-, F, Gb, A, Bb] : [9, 9, 6, 7, 4, 14, 4] # Ajam trichord (9, 9) + Saba pentachord (6, 7, 4, 14) overlapping with Hijaz tetrachord (4, 14, 4).
Maqam Shawq Afza (descending): [Bb, C, D, Eb, F, G, A, Bb] : [9, 9, 4, 9, 9, 9, 4] # Ajam tetrachord (9, 9, 4) + whole tone + Jaharkah tetrachord (9, 9, 4).
Maqam Iraq (ascending): [B-, C, D, E-, F, G, A, B-] : [6, 9, 6, 7, 9, 9, 7] # Iraq trichord (6, 9) + Bayati tetrachord (6, 7, 9) + Rast trichord (9, 7)
Maqam Iraq (descending): [B-, C, D, E-, F, G, A, Bb] : [6, 9, 6, 7, 9, 9, 4] # Iraq trichord (6, 9) + Bayati tetrachord (6, 7, 9) + Busalik trichord (9, 4). This one has B- at the bottom and Bb at the top, and it doesn't form an octave. Really weird.
Maqam Awj Ara: [B-, C, D#, E-, F#, G, A#, B-] : [6, 14, 2, 11, 4, 14, 2] # Awj tetrachord (6, 14, 2) + Mustaar pentachord (11, 4, 14, 2)
Maqam Bastah Nikar: [B-, C, D, E-, F, Gb, A, Bb] : [6, 9, 7, 7, 4, 14, 4] # Iraq trichord (6, 9) + Saba tetrachord (7, 7, 4) + 14 commas + Kurd dichord (4). On Alsiadi's website, the Iraq trichord is annotated here with commas [7, 9]. But the Iraq trichord with commas [6, 9] is listed multiple times in other places and the [7, 9] version only shows up here. Also, the first three pitch classes are [Bd, C, D] which is described with [6, 9] commas everywhere else, even when an Iraq trichord is not listed. So I changed it, and I stand by it.
Maqam Farahnak (ascending): [B-, C, D, E, F+, G, A, B-] : [6, 9, 9, 7, 6, 9, 7] # Sikah trichord (6, 9) + Rast tetrachord (9, 7, 6) + Rast trichord (9, 7)
Maqam Farahnak (descending): [B-, C, D, E, F+, G, A, Bb] : [6, 9, 6, 7, 6, 9, 4] # Sikah trichord (6, 9) + Rast tetrachord (9, 7, 6) + Busalik trichord (9, 4). This one has both B- and Bb and it doesn't form an octave. Weird.
Maqam Rahit Al Arwah (ascending): [B-, C, D, Eb, F#, G, A, B-] : [6, 9, 4, 14, 4, 9, 7] # Iraq trichord (6, 9) + Hijaz tetrachord (4, 14, 4) + Rast Trichord (9, 7)
Maqam Rahit Al Arwah (descending): [B-, C, D, Eb, F#, G, A, Bb] : [6, 9, 4, 14, 6, 9, 4] # Iraq trichord (6, 9) + Hijaz tetrachord (4, 14, 4) + Busalik Trichord (9, 4). Alsiadi has the Hijaz tetrachord annotated as [4, 14, 6] but that's not consistent with his pitch classes or how he quantifies Hijaz anywhere else, so I fixed it.